{"id":343,"date":"2018-07-24T04:52:00","date_gmt":"2018-07-24T04:52:00","guid":{"rendered":"https:\/\/wendylai.lab.nycu.edu.tw\/?p=343"},"modified":"2020-07-24T07:48:34","modified_gmt":"2020-07-24T07:48:34","slug":"the-bodies-in-andrei-tarkovskys-images-and-the-embodied-experience","status":"publish","type":"post","link":"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/2018\/07\/24\/the-bodies-in-andrei-tarkovskys-images-and-the-embodied-experience\/","title":{"rendered":"\u5854\u53ef\u592b\u65af\u57fa\u7684\u8eab\u9ad4\u5f71\u50cf\u8207\u5177\u8eab\u5316\u7d93\u9a57"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"343\" class=\"elementor elementor-343\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-54dc393 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"54dc393\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a05b801\" data-id=\"a05b801\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-dddbb85 elementor-widget elementor-widget-heading\" data-id=\"dddbb85\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">2018<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1064e80 elementor-widget elementor-widget-heading\" data-id=\"1064e80\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">\u5433\u6b23\u6021Wu, Hsin Yi \uff5c\u535a\u58eb\u5b78\u4f4d\u8ad6\u6587<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-90f58cb elementor-widget elementor-widget-text-editor\" data-id=\"90f58cb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<p>\u5854\u53ef\u592b\u65af\u57fa\u7684\u8eab\u9ad4\u5f71\u50cf\u8207\u5177\u8eab\u5316\u7d93\u9a57 <br \/>The Bodies in Andrei Tarkovsky\u2019s Images and the Embodied Experience\u200b\u200b<\/p><p style=\"text-align: left;\"><strong>\u6458\u8981<\/strong><\/p><p style=\"text-align: left;\">\u672c\u7814\u7a76\u4ee5\u96fb\u5f71\u73fe\u8c61\u5b78\u300c\u6d3b\u6b77\u8eab\u9ad4\u300d\u70ba\u6982\u5ff5\uff0c\u65e8\u5728\u5206\u6790\u8607\u806f\u5c0e\u6f14\u5854\u53ef\u592b\u65af\u57fa\u5f71\u50cf\u4e0a\u96fb\u5f71\u4e3b\u9ad4\u8207\u89c0<br \/>\u8005\u4e3b\u9ad4\u5171\u69cb\u7684\u8eab\u9ad4\u7d93\u9a57\uff0c\u63a2\u554f\u300c\u975e\u601d\u300d\u4e4b\u601d\u7684\u601d\u8003\u6d3b\u52d5\u3002\u9019\u9ebc\u505a\u7684\u539f\u56e0\uff0c\u8d77\u5148\u662f\u70ba\u4e86\u5c0d\u6297\u5fb7\u52d2<br \/>\u8332\u5728\u5854\u53ef\u592b\u65af\u57fa\u5f71\u50cf\u4e0a\u50c5\u770b\u898b\u6f5b\u5728\u8207\u5be6\u969b\u5171\u5b58\u7684\u6676\u9ad4\u73fe\u8c61\uff0c\u9700\u5148\u91d0\u6e05\u7684\u662f\uff0c\u672c\u7814\u7a76\u4e0d\u5426\u8a8d\u5fb7\u52d2<br \/>\u8332\u7684\u89c0\u5bdf\uff0c\u4f46\u5fb7\u52d2\u8332\u504f\u597d\u7684\u7576\u4ee3\u5f71\u50cf\uff0c\u591a\u662f\u63cf\u7e6a\u5275\u50b7\u3001\u53e3\u5403\u3001\u5931\u8a9e\u7b49\uff0c\u7136\u800c\uff0c\u5854\u53ef\u592b\u65af\u57fa\u7684\u89d2<br \/>\u8272\u537b\u662f\u6b77\u7d93\u8eab\u9ad4\u5275\u50b7\u5f8c\uff0c\u7e3d\u80fd\u5f97\u4ee5\u901a\u904e\u67d0\u7a2e\u85dd\u8853\u6027\u624b\u6cd5\uff0c\u7372\u5f97\u7642\u7652\uff0c\u4f7f\u5f97\u89d2\u8272\u7684\u8eab\u9ad4\u4e0d\u518d\u5e73\u51e1<br \/>\uff0c\u8b8a\u5f97\u795e\u79d8\u53c8\u795e\u8056\u3002\u672c\u7814\u7a76\u91cd\u65b0\u95e1\u8ff0\u5854\u53ef\u592b\u65af\u57fa\u5f71\u50cf\uff0c\u5148\u662f\u63d0\u51fa\u300c\u65e5\u5e38\u8eab\u9ad4\u300d\u8207\u300c\u5e36\u50b7\u8eab\u9ad4<br \/>\u300d\uff0c\u70ba\u7684\u662f\u8655\u7406\u8eab\u9ad4\u7684\u65e5\u5e38\u884c\u52d5\u3001\u59ff\u614b\u3001\u50b7\u53e3\u548c\u53e3\u8a9e\u969c\u7919\u7b49\u8207\u5177\u8eab\u5316\u7d93\u9a57\u7684\u7de0\u7d50\uff0c\u63a5\u8457\uff0c\u901a\u904e<br \/>\u8eab\u9ad4\u53ef\u4e58\u8f09\u6096\u8ad6\u6982\u5ff5\u7684\u7279\u6027\uff0c\u8aaa\u660e\u5854\u53ef\u592b\u65af\u57fa\u5f71\u50cf\u4e0d\u53ea\u662f\u6f5b\u5728\u8207\u5be6\u969b\u7684\u5171\u5b58\uff0c\u540c\u6642\u4e5f\u5b58\u5728\u795e\u6027<br \/>\u8207\u4eba\u6027\u76f8\u4e92\u6ef2\u900f\u7684\u904e\u7a0b\uff0c\u53cd\u6620\u4e86\u5c0e\u6f14\u6240\u5c6c\u7684\u4fc4\u7f85\u65af\u6771\u6b63\u6559\u6587\u5316\u3002\u6700\u5f8c\uff0c\u672c\u7814\u7a76\u63d0\u51fa\u5854\u53ef\u592b\u65af\u57fa<br \/>\u5f71\u50cf\u5b58\u5728\u8457\uff1a\u300c\u6f2b\u904a\u8207\u4fe1\u4ef0\u8ffd\u5c0b\u300d\u3001\u300c\u5275\u50b7\u8207\u7642\u7652\u300d\u3001\u300c\u56f0\u5883\u8207\u518d\u751f\u300d\u7b49\u860a\u542b\u5dee\u7570\u7684\u5177\u8eab\u5316\u601d<br \/>\u8003\uff0c\u9019\u662f\u5854\u53ef\u592b\u65af\u57fa\u7684\u5f71\u50cf\u98a8\u683c\uff0c\u53e6\u4e00\u65b9\u9762\uff0c\u4e5f\u8868\u9054\u51fa\u751f\u547d\u8207\u6642\u9593\u6301\u7e8c\u5411\u4e0a\u76e4\u65cb\u7684\u8a6e\u91cb\u8ff4\u5708\u904b<br \/>\u52d5\u3002<br \/>\u95dc\u9375\u8a5e: \u5b89\u5fb7\u70c8\u2027\u5854\u53ef\u592b\u65af\u57fa\u3001 \u96fb\u5f71\u73fe\u8c61\u5b78 \u3001 \u83ab\u91cc\u65af\u2027\u6885\u6d1b\u9f90\u8482 \u3001 \u6d3b\u6b77\u8eab\u9ad4 \u3001 \u5409\u723e.\u5fb7\u52d2\u8332<\/p><hr \/><p style=\"text-align: left;\"><br \/><strong>Abstract<\/strong><\/p><p style=\"text-align: left;\">The study aims to investigate the embodied subjectivity and the unthought-of thought in Russian<br \/>director Andrei Takovsky\u2019s images through the concept of \u201cthe lived body\u201d from film<br \/>phenomenology as it implicates the embodied source between the film\u2019s body and the spectator\u2019s<br \/>body. The initial idea is to resist Deleuze, who only sees the crystal-image of the indiscernibility<br \/>between virtuality and reality in Tarkovsky\u2019s images. This study does not reject Deleuze\u2019s<br \/>arguments, but clarifies that the modern images that mostly attracted Deleuze were experiences<br \/>depicting trauma, like wounds, stammering, or muteness. Tarkovsky\u2019s characters also endure<br \/>great suffering. This study raises the discussion of \u201cthe ordinary body\u201d and \u201cthe wounded body\u201d<br \/>to reveal the embodied experiences through banal actions, gestures, wounds, and speech<br \/>impediments. However, as the narrative progresses, art is disclosed as a remedy to heal the<br \/>physical disabilities, which makes their bodies no longer ordinary, but mysterious and sacred.<br \/>Similar to the paradoxical nature within bodies, the situation surrounding the images not only<br \/>shows the co-existence of virtuality and reality but also represents the unity of humanity and<br \/>divinity in one person, reflecting the director\u2019s own culture based on Russian Orthodox<br \/>Christianity. Finally, the heterogeneities are significant to Tarkovsky\u2019s images and are part of the<br \/>embodied experiences. The study proposes three arguments, \u201cthe wandering within the<br \/>pilgrimage,\u201d \u201cthe wound within the remedy,\u2019 and \u201cthe dilemma within the rebirth.\u201d These are<br \/>Tarkovsky\u2019s distinctions, and the proceedings of reconcilement indicate that the narratives are as<br \/>our life and time spiraling up into a healthy hermeneutic circle.<br \/>Keywords: Andrei Tarkovksy\u3001Film phenomenology\u3001Maurice Merleau-Ponty\u3001Lived body\u3001Gilles<br \/>Deleuze<\/p><p>\u00a0<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-77103bb elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"77103bb\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-801b6a6 elementor-widget elementor-widget-wp-widget-categories\" data-id=\"801b6a6\" data-element_type=\"widget\" data-widget_type=\"wp-widget-categories.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5>\u8ad6\u6587\u5217\u8868<\/h5>\n\t\t\t<ul>\n\t\t\t\t\t<li class=\"cat-item cat-item-3\"><a href=\"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/category\/doctoral-thesis\/\">\u535a\u58eb\u5b78\u4f4d\u8ad6\u6587<\/a> (2)\n<\/li>\n\t<li class=\"cat-item cat-item-5\"><a href=\"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/category\/dissertation\/\">\u7814\u7a76\u8ad6\u6587<\/a> (7)\n<\/li>\n\t<li class=\"cat-item cat-item-4\"><a href=\"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/category\/thesis\/\">\u78a9\u58eb\u5b78\u4f4d\u8ad6\u6587<\/a> (2)\n<\/li>\n\t\t\t<\/ul>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>2018 \u5433\u6b23\u6021Wu, Hsin Yi \uff5c\u535a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-343","post","type-post","status-publish","format-standard","hentry","category-doctoral-thesis"],"_links":{"self":[{"href":"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/wp-json\/wp\/v2\/posts\/343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/wp-json\/wp\/v2\/comments?post=343"}],"version-history":[{"count":8,"href":"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/wp-json\/wp\/v2\/posts\/343\/revisions"}],"predecessor-version":[{"id":358,"href":"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/wp-json\/wp\/v2\/posts\/343\/revisions\/358"}],"wp:attachment":[{"href":"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/wp-json\/wp\/v2\/media?parent=343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/wp-json\/wp\/v2\/categories?post=343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wendylai.lab.nycu.edu.tw\/index.php\/wp-json\/wp\/v2\/tags?post=343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}